'New Imagery for Ancient Greek Theatre: Philoctetes, Pain and Male Hysteria'
Rhona Justice-Malloy
'Prometheus Bound: An Approach for the Modern Stage'
Warwick Undergraduate
'Rhetoric and Poetic: Aristotle, The Enthymeme, and the discovery of dramatic troping in contemporary theatre'
August W. Staub
Review of Trojan Women in Cambridge, England
Antony G. Keen
Review of Medea in London, England
Antony G. Keen
Review of Oedipus the King in London, England
Antony G. Keen
Review of Dronke's Nine Medieval Plays
James Whitta

| 7.02 - Close Relations (2009) 7.01 - Masks (Winter 2007) 6.03 - Responses to Ancient Drama in Contemporary Performance (Autumn 2006) 6.02 - Contemporary Electronic Research Initiatives (Summer 2005) 6.01 - Developments and Trends in Contemporary Research (Spring 2004) 5.03 - Electra (Summer 2002) 5.02 - Tantalus (Autumn 2001) 5.01 - Otago (Summer 2001) 4.02 - General Issue (Autumn 2001) 4.01 - Crossing the Ancient Stage (Spring 1997) 3.03 - The Performance of Homeric Epic (Winter 1996) 3.02 - General Issue (Autumn 1996) 3.01 - General Issue (Spring 1996) 2.03 - Roman Stagings (Winter 1995) 2.02 - Ancient Stagecraft (Autumn 1995) 2.01 - New Ancient Theater (February 1995) 1.06 - Supplement 1 - How is it Played? Genre, Performance and Meaning 1.05 - Embodying Ancient Theater (December 1994) 1.04 - Fusing Greek and Asian Drama (October 1994) 1.03 - Translating for the Stage II (August 1994) 1.02 - Translating for the Stage I (May 1994) 1.01 - Founding Issue (March 1994) |