Jessie Maritz
University of Zambia
Recent studies have examined the tradition of Greek drama in many countries, including South Africa, but until recently little has been done in in this field in Rhodesia/Zimbabwe. This paper looks at the performance of both tragedy and comedy in Rhodesia/Zimbabwe during this century. It considers the choice of play, the translation used, the occasion and details of performance. It also looks at the political context, the changes that occurred at Independence and the relevance of the art form. It tries tp assess the significance of Greek drama in an Africa context in central Africa during the 20th century.
Jessie.Maritz
University of Zambia

| 7.02 - Close Relations (2009) 7.01 - Masks (Winter 2007) 6.03 - Responses to Ancient Drama in Contemporary Performance (Autumn 2006) 6.02 - Contemporary Electronic Research Initiatives (Summer 2005) 6.01 - Developments and Trends in Contemporary Research (Spring 2004) 5.03 - Electra (Summer 2002) 5.02 - Tantalus (Autumn 2001) 5.01 - Otago (Summer 2001) 4.02 - General Issue (Autumn 2001) 4.01 - Crossing the Ancient Stage (Spring 1997) 3.03 - The Performance of Homeric Epic (Winter 1996) 3.02 - General Issue (Autumn 1996) 3.01 - General Issue (Spring 1996) 2.03 - Roman Stagings (Winter 1995) 2.02 - Ancient Stagecraft (Autumn 1995) 2.01 - New Ancient Theater (February 1995) 1.06 - Supplement 1 - How is it Played? Genre, Performance and Meaning 1.05 - Embodying Ancient Theater (December 1994) 1.04 - Fusing Greek and Asian Drama (October 1994) 1.03 - Translating for the Stage II (August 1994) 1.02 - Translating for the Stage I (May 1994) 1.01 - Founding Issue (March 1994) |