The first appearance of Phaedra. Having proceeded to the middle of the stage, Phaedra falls to her knees and bends her body. Image copyright Bakhrushin Museum of Theatre, Moscow. Reproduced by permission, April 2001.
9.01 - Risk-taking and Transgression: Aristophanes' Lysistrata Today Michael Ewans and Robert Phiddian 9.02 - Review: Lysistrata Jones John Given 9.03 - Review of Alexis, A Greek Tragedy Aktina Stathaki 9.04 - Review: The Complete Works of Sophocles (Rebridged): These Seven Sicknesses George Kovacs 9.05 - Review: The Women from Trachis at the University of Michigan Amy Pistone 9.06 - Review: Imagining and Imaging the Chorus: A Study of the Physicality, Movement, and Composition of the Chorus in A.R.T.'s Ajax Viviane Sophie Klein 9.07 - Review: The Oresteia at Carleton College Eric Dugdale
9.08 - Review: Euripides’ Bacchae at the Greek Theatre in Syracuse Ralph Covino and John Serrati 9.09 - Review: 48th Season of Classical Plays at the Greek Theatre in Syracuse: Aeschylus’s Prometheus, Euripides’ Bacchae, and Aristophanes’ The Birds Caterina Barone 9.10 - Up Close and Personal: Encountering Ancient Drama through Performance Eric Dugdale 9.11 - Review: Sophocles’ Elektra at the Stratford Shakespeare Festival Ruth Scodel 9.12 - Review: Sophocles’ Elektra at the Stratford Shakespeare Festival Dana E. Aspinall 9.13 - “First catch your satyrs” — A Practical Approach to The Satyr-Play(-Like?) Anthony Stevens 9.14 - Review: Euripides’ Iphigenia at Aulis (Estonian: Iphigenia Aulises) in Tallinn, Estonia Laura Viidebaum