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COMPLEX ELECTRA
Electra
and the Theatre of Affliction: towards a textual turn?
References
Carson, Anne 1996,
'Screaming in Translation' in (ed) Dunn, 5-11
Dunn, Francis M (ed) 1996, Sophocles' Electra in Performance,
Drama Band 4, Stuttgart
Hardwick, Lorna 2000, Translating Words, Translating Cultures,
London
Hardwick, Lorna 2001, 'Who owns the plays? Issues in the translation
and performance of Greek drama on the modern stage' Eirene XXXV11,
Studia Graeca et Latina (Theatralia), 23-39
Hardwick, Lorna 2002, 'Tantalus staged:
anthology, narrative and the audience', Didaskalia 5.2
March, Jennifer 1996, 'The Chorus in Sophocles' Electra', in
(ed) Dunn, 65-81
Ramazani, J 1997, 'The Wound of History: Walcott's Omeros and
the Post-Colonial Poetics of Affliction', Proceedings of the Modern
Literature Association 113 (3) May, 405-415
Stinton, TCW 1986, 'The scope and limits of allusion in Greek tragedy'
in (edd) M Cropp, E Fantham and SE Scully, Greek Tragedy and its
Legacy, Calgary, 67-102
Sullivan, Shirley Darcus 1999, Sophocles' Use of Psychological Terminology:
Old and New, Carleton
Vitez, Antoine 1991, Théâtre des Idées, Paris
Wiles, David 2000, Greek Theatre Performance: An Introduction,
Cambridge
Winnington-Ingram, R.P. 1954-5, 'The Electra of Sophocles: Prolegomena
to an Interpretation' PCPS n.s.3, 20-26
Woolf, Virginia 1925, The Common Reader, London
The productions referred to in the article and the interviews with Jane
Montgomery are documented in the Open University Research Project on
the Reception of Classical Texts at: http://www2.open.ac.uk/ClassicalStudies/GreekPlays.
The text of the paper given in Cambridge in October 2001 has been slightly
expanded to take account of the post-production reflections of the Director
in her interview of February 2002, which responded to questions posed
in the original paper.
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Didaskalia Volume 5 No. 3 - Summer 2002 /
University of Warwick / edited by Hugh Denard and C.W. Marshall / ISSN
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