8.01 - Introducing Volume 8 and Remembering Douglass Parker
Amy R. Cohen

8.02 - Review: 45th Season of Classical Plays at the Greek Theatre in Syracuse
Caterina Barone

8.03 - Review: The Brothers Menaechmus at East Carolina University
Amy R. Cohen

8.04 - Review: A Man Who Hates People at Trent University and the University of Toronto
Donald Sells

8.05 - Review: Hecuba at Randolph College
Jaclyn Dudek

8.06 - Interview: Satyrs in L.A.
Mary Hart

8.07 - KOSKY - The Women of Troy: Barrie Kosky, The Sydney Theatre Company, and Classical Theatre in Australia
Elizabeth Hale

8.08 - KOSKY - Delivering the Message in Kosky's The Women of Troy
Helen Slaney

8.09 - KOSKY - The Women of Troy: Barrie Kosky's "operatic" version of Euripides
Michael Halliwell

8.10 - KOSKY - The Women of Troy—New and Old
Michael Ewans

8.11 - KOSKY - "Toothless intellectuals," "the misery of the poor," "poetry after Auschwitz," and the White, Middle-class Audience: the Moral Perils of Kosky and Wright's The Women of Troy (or, how do we regard the pain of others?)
Marguerite Johnson

8.12 - Masks in the Oxford Greek Play 2008: Theory and Practice
Claire Catenaccio

8.13 - The Masked Chorus in Action—Staging Euripides' Bacchae
Chris Vervain

8.14 - Review: Orestes Terrorist at the University of California, Santa Cruz
Fiona Macintosh

8.15 - Review: 47th Season of Classical Plays at the Greek Theatre in Syracuse
Caterina Barone

8.16 - Review: Medea at the Long Beach Opera
Yoko Kurahashi

8.17 - Interview: Theater of War
Amy R. Cohen and Brett M. Rogers

8.18 - Storm in a Teacup: an Exercise in Performance Reception in Twenty-First-Century Israel
Lisa Maurice

8.19 - Review: Seneca's Oedipus at the Stanford Summer Theater
David J. Jacobson

8.20 - Review: Sophocles: Seven Sicknesses at the Chopin Theater
Teresa M. Danze Lemieux

8.21 - ADIP I - Ancient Drama in Performance: Theory and Practice
Amy R. Cohen

8.22 - ADIP I - Play in the Sunshine
Jennifer S. Starkey

8.23 - ADIP I - Adapting Hecuba: Where Do Problems Begin?
Nancy Nanney

8.24 - ADIP I - The Twice Born and One More: Portraying Dionysus in the Bacchae
Jaclyn Dudek

8.25 - ADIP I - A Gestural Phallacy
David J. Jacobson

8.26 - ADIP I - Double the Message
Diane J. Rayor

8.27 - ADIP I - Performing the "Unperformable" Extispicy Scene in Seneca's Oedipus Rex
Eric Dodson-Robinson

8.28 - ADIP I - Compassion in Chorus and Audience
Paul Woodruff

8.29 - ADIP I - Staging the Reconciliation Scene of Aristophanes’ Lysistrata
John Given

8.30 - ADIP I - The Delayed Feast: the Festival Context of Plautus’ Pseudolus
Laura Banducci

8.31 - ADIP I - Euripides' Hecuba: the Text and the Event
Kenneth Reckford

8.32 - ADIP I - Hecuba in a New Translation
Jay Kardan and Laura-Gray Street

8.33 - ADIP I - Talkback: Hecuba
Mary-Kay Gamel