DIDASKALIA VOLUME 8 (2011)

Volume 8 (2011)

Welcome to the new Didaskalia. With Volume 8 we embark on a new era that will reflect the revolution in online capabilities in the nearly two decades since Didaskalia began. What has not changed is our mission: we are an academic journal dedicated to the study of ancient theatre and its legacy in performance.

[PDF of entire volume (300pp, 48MB)]

8.01	Introducing Volume 8 and Remembering Douglass Parker [PDF] Amy R. Cohen
8.02	Review: 45th Season of Classical Plays at the Greek Theatre in Syracuse [PDF] Caterina Barone
8.03	Review: The Brothers Menaechmus at East Carolina University [PDF] Amy R. Cohen
8.04	Review: A Man Who Hates People at Trent University and the University of Toronto [PDF] Donald Sells
8.05	Review: Hecuba at Randolph College [PDF] Jaclyn Dudek
8.06	Interview: Satyrs in L.A. [PDF] Mary Hart
8.07	KOSKY - The Women of Troy: Barrie Kosky, The Sydney Theatre Company, and Classical Theatre in Australia [PDF] Elizabeth Hale, guest editor
8.08	KOSKY - Delivering the Message in Kosky's The Women of Troy [PDF] Helen Slaney
8.09	KOSKY - The Women of Troy: Barrie Kosky's "operatic" version of Euripides [PDF] Michael Halliwell
8.10	KOSKY - The Women of Troy—New and Old [PDF] Michael Ewans
8.11	KOSKY - "Toothless intellectuals," "the misery of the poor," "poetry after Auschwitz," and the White, Middle-class Audience: the Moral Perils of Kosky and Wright's The Women of Troy (or, how do we regard the pain of others?) [PDF] Marguerite Johnson
8.12	Masks in the Oxford Greek Play 2008: Theory and Practice [PDF] Claire Catenaccio
8.13	The Masked Chorus in Action—Staging Euripides' Bacchae [PDF] Chris Vervain
8.14	Review: Orestes Terrorist at the University of California, Santa Cruz [PDF] Fiona Macintosh
8.15	Review: 47th Season of Classical Plays at the Greek Theatre in Syracuse [PDF] Caterina Barone
8.16	Review: Medea at the Long Beach Opera [PDF] Yoko Kurahashi
8.17	Interview: Theater of War [PDF] Amy R. Cohen and Brett M. Rogers
8.18	Storm in a Teacup: an Exercise in Performance Reception in Twenty-First-Century Israel [PDF] Lisa Maurice
8.19	Review: Seneca's Oedipus at the Stanford Summer Theater [PDF] David J. Jacobson
8.20	Review: Sophocles: Seven Sicknesses at the Chopin Theater [PDF] Teresa M. Danze Lemieux
8.21	ADIP I - Ancient Drama in Performance: Theory and Practice [PDF] Amy R. Cohen
8.22	ADIP I - Play in the Sunshine [PDF] Jennifer S. Starkey
8.23	ADIP I - Adapting Hecuba: Where Do Problems Begin? [PDF] Nancy Nanney
8.24	ADIP I - The Twice Born and One More: Portraying Dionysus in the Bacchae [PDF] Jaclyn Dudek
8.25	ADIP I - A Gestural Phallacy [PDF] David J. Jacobson
8.26	ADIP I - Double the Message [PDF] Diane J. Rayor
8.27	ADIP I - Performing the "Unperformable" Extispicy Scene in Seneca's Oedipus Rex [PDF] Eric Dodson-Robinson
8.28	ADIP I - Compassion in Chorus and Audience [PDF] Paul Woodruff
8.29	ADIP I - Staging the Reconciliation Scene of Aristophanes’ Lysistrata [PDF] John Given
8.30	ADIP I - The Delayed Feast: the Festival Context of Plautus’ Pseudolus [PDF] Laura Banducci
8.31	ADIP I - Euripides' Hecuba: the Text and the Event [PDF] Kenneth Reckford
8.32	ADIP I - Hecuba in a New Translation [PDF] Jay Kardan and Laura-Gray Street
8.33	ADIP I - Talkback: Hecuba [PDF] Mary-Kay Gamel